Creating A Song – He Is Stronger

 

Thursday Evening

Every Thursday eve, at our community house in Norwich, we have a big nosh-up. For quite a while our Thursday evenings lacked people. So we prayed. Now we have lots of people come; friends, family, work colleagues and the rest. Before we tuck in, I normally say a little word (like radio 4’s ‘Thought Of The Day) we sing a song and each week, someone is asked to wrap things up with a prayer before we eat.

It was during one of these lively evening meals that I turned to Ore (a regular attendee), five minutes before my thought for the day, and said.. “Lets make a song to sing in the next five minutes.” So we did. It went:

I’m getting rid of distractions,
looking to Jesus.
For He is stronger,
He is greater than the world.

He is stronger,
He is greater,
He’s the ruler of my heart (repeat)

IMG_20140828_212949

Jude, Mark and Ore

Jude, Mark and Ore

Jude happened to record the song on his phone:

[audio:https://colourfulchurch.org.uk/wp-content/uploads/2014/11/Memo.mp3]

The tune was catchy and Ore said it reminded him of a Nigerian song he knew. After the meal, Ore and my sister Abigail helped to write a full on song with a middle eight and everything.

Whilst constructing the melody of the the song, Ab realised that some of the melodies were similar to other Jesus Fellowship songs. I said lets change it. In the end we didn’t change anything. There’s always going to be some other melody from somewhere that’s similar to the song you’re writing.

Don’t let your creativity be bullied by familiarity; If you do, they’ll be nothing of your originality left. Plus, people can relate to it more if they feel that they’ve heard it somewhere before.

We wanted the lyrics to be simple. We didn’t want to use any clever metaphors. There is nothing more powerful than the revelation of God’s love for us and the realisation that there is a completely different way to live.

Part of the finished product went like this:

C
I’m getting rid of distractions,
Am
looking to Jesus.
Dm-F
For He is stronger,
Dm-G
He is greater than the world (x2)

F
He is stronger,
C
He is greater,
G, F, Em, Dm, C – G
He’s the ruler of my heart.
Am
His name is Power,
F
Blessing And Honour.
G, F, Em, Dm, C – G
He’s the ruler of my Heart.

No words can express,
Nothing can compare,
To the love you’ve given us.
So free, So pure. 

Dm
Come,
F
Unblock our ears,
C

Uncover our eyes.
G
Reveal Your truth,
C

Set us Apart (repeat)

G
Set us apart…

 

We played the song in D-maj on a guitar that had been tuned down to the key of D. That means you’re still playing in C-maj. Just sounded nice really.

We decided to record the song Friday evening due to the fact that we’d spent quite a while constructing the song after the the Thursday meal.

Friday Evening

I set up the recording equipment in the lounge, stuck a sign on the door and hoped that people would read it before they ambled into the middle of a recording. Ideally you would want to record somewhere quiet but in community, that’s pretty difficult.

In the knowledge that I was recording three people (myself included) I would liked to have had each person with headphones listening to the timing of the song. Unfortunately I didn’t have enough inputs on my M-Audio interface. 

In the end, we each sat around my Behringer C-3 mic and did three different recordings. I listened to the timing of the song on Ableton that I had prepared earlier and played the guitar to help keep Ab and Ore in time.

Everything went to plan and all three recordings went perfectly.

Here you can see the mic somehow covering Ore's face.

So this was the basic set up. Gather around one mic. One mic to rule them all

The different pick up patterns

The different pick up patterns: Fig 8, Cardioid & Omnidirectional

So why do three?
Because I’m not a mastering magician, I had to rely solely on my equipment to provide the warmest sound before I started mixing it.. We recorded three times on three different pick-up patterns that my condenser has.

  • Cardioid – This picks up sound waves that travel directly into the front of the condenser.
  • Omnidirectional – This is more for an ambient recording that has a spherical pick-up. Basically it picks up sound from every possible angle.
  • Figure Eight (or as my teacher calls it ‘The butt’) – picks up sound from both sides of the mic.

All of this was in order to create track that sounded like a dozen or so people were having a sing-song as opposed to three people.

Because I was utilising all of these different pickups, I wanted to limit the sound waves bouncing around the room. So I shut the curtains and threw a load of blankets over the piano. Poor piano.

The piano is full of strings and hammers that are full of tone, if you spoke near it your voice would hit these internal instruments and project and prolong that sound around the room. The blankets were placed to try and absorb most of the sound before it reached the highly sensitive strings and hammers and stuff. I’m boring you. Sorry.

Piano covered up

Piano covered up

Aaaaanyway. This is what the finished audio sounded like:

[audio:https://colourfulchurch.org.uk/wp-content/uploads/2014/11/He-is-Sronger-1.mp3]
La, la la la laaa

La, la la la laaa

If you’re listening to this with anything other than your mobile phone, you’ll notice that there’s a strange high-pitched sound that coincides with the kick. This was because When I mixed down the track I was limited to what I could actually mix. This was all because I had to play the guitar on each of the recordings. I was also stamping my foot whilst playing to help keep the rhythm for the guys. This created the squeaky thump on the kick and it was so frustrating. Because the guitar was on all the recordings, I couldn’t EQ it out. There are many ways around this but the night was definitely not young and I had to have a track completed for Ab to take back with her the next day.  In the end I finished at 2:30am.

It's late...

Ab, Me and Ore. It’s late…

When recording vocals I can select the high pass filter input on the mic. This cuts out any unwanted low end hum-drum.

When recording vocals I can select the high pass filter input on the mic. This cuts out any unwanted low end hum-drum.

Saturday (Mens Day)

Some of the lads from our community house called ‘Saving Faith’, went to a Jesus Fellowship meeting/seminar bash called ‘Mens Day’. I saw my older sibling Gideon aka Sunshine and  played the track on phone. He said to “stick it on Soundcloud init”. I said “OK”. Riveting stuff.

Sunday

After our morning meeting, the food and then the washing up, I decided to have another crack at recording the song. This time with a cleaner mix worthy of the critical internet people.

But not just because of that. Ahem.

I choose a room upstairs that had recently been vacated for the week and set up my recording gear. Ab had gone back to Northampton by this time so I made do with my younger sibling Esme. Of course Ore was around and he was more than happy to re-record.

M-Audio Interface

M-Audio Interface

Midi keyboard

Midi keyboard

This time I found a split aux lead thing that could go into my interface and have two head phones attached. Wahoo! Esme and Ore wore the headphones while I looked at the visual cues on the laptop to help me know when to come in.

Yet again we did three recordings on the different pick up patterns which are called… ? Quick-fire test. If you failed, give me twenty. Pounds. Give me Twenty Pounds. I digress!

So we did the three recordings again but this without the guitar. NOW I was able to EQ the individual voices. I recorded the guitar separately. I also recorded myself singing the main bits and I also recorded one harmony.

This was all in aid to add width to the track. I wanted to include Abs vocals on the new version so I incorporated a harmony that she had done on the original. I also added in Ores harmony.

All in all, not including my lead vocals, there were 6 background vocal tracks. I panned all the tracks to the left and right outputs. This is what provided the width and punch.

I played some piano using a midi keyboard, stuck on some bass and spent a good few hours of  EQ nit-picking, decibel dropping and compressing.

I cleaned all the vocals up by dropping out the low end and allowing the high frequencies to come through. This made the track sound less muddy and allowed lower frequencies sounds such as the bass and the kick to push through.

I did some basic mastering by sticking some EQs, Compressors, Glue Compressor onto the master track.

Then I just thought. Like most people would:

“Pffft… that’ll do”

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