Painting a childhood home – Vineyard Farmhouse artwork

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Vineyard Farmhouse

This is a painting of a house. Yup, call me Einstein for pointing that out. But there’s a bit more to it than that. This was the house that I first lived in, and holds many memories that I’ll never forget (all being well).

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The original photo – where I tried to look as inconspicuous as possible when photographing it

A few months ago I was chatting to my Dad about living there, and he spoke about when he had M.E. so severe it left him bed-ridden for many years. This normally would have been problematic for me as a young child growing up, but as we lived in Christian community there were people around who helped out. One of these was a chap called Mike, and as my Dad continued his story it became clear that Mike helped out a lot in those difficult years, despite him being busy with work and church commitments. I can remember times of playing football with him (he was rubbish), and once broke his thumb with a thunderbolt from 30 yards (or more likely a 3 yard miss-hit).

So to say thank you for putting up with the little brat that was me, and to acknowledge he has had a big part to play in my life I decided to paint for him the house where we lived, Vineyard Farmhouse.

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Starting the painting, and getting stuck on shadows

The location of Vineyard meant that the sun would never shine where I wanted it to, resulting in a flat looking picture as shadows convey depth. So I used a bit of artistic license and changed where the sun was shining. This was fine till I started painting telegraph poles and simply couldn’t work out how the shadows would run on the roofs of houses, or how the porch shadow would fall on the stone.
Helpfully I live in a Christian community house with some very talented people, and one of these was a 3D modelling guru called Aidan. I asked him if he could re-create the photo in a 3D environment so we could play around with the sun position to see what looked best.
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An hour later using a combination of the original photo, Google maps, Streetview, and Sketchup, he had created a model where I could test a few sun angles and choose which one looked best.

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The 3D model in Sketchup with detail from Google Maps, Streetview and the original photo.

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The chosen sun angle with shadow from the telegraph poles, porch, window bays, and the left side of the building in shade.

Once the shadows were worked out I cracked on with it. There was a few things I learnt – painting grass is a mission, and I still hate windows (no offence to Bill Gates). The whole thing was done in about 6 weeks, which is fairly rapid by my usual standards.

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The artists den (all my stuff dumped on a dining table)

Around this time my Dad was getting married so for a gift I scanned the final painting in, had it edited to look like a railway carriage print (something he’s obsessed about), and then framed it as they were many years ago.

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The carriage print version of Vineyard Farmhouse

The actual painting was then superbly framed (thanks to Joz at Good Timber) and mounted (thanks to the Framing Centre) and given to Mike.

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Christian Community Artwork – Stronglight

This post continues our series on artwork featured in the Jesus Army New Creation Christian Community houses. These are contributions from artwork featured on the walls of Stronglight, an intentional christian community house in Northampton.

Christian Community Artwork – Battlecentre

Battlecentre is one of the London-based homes of the New Creation Christian Community, which is a network of households of Christians who share homes and lives, living together for Jesus across the UK. NCCC is church 24-7, much like the early church written about in Acts 2 who shared “all things in common” and were “always together”.

Battlecentre, situated in a former Convent of the All Saints Sisters of the Poor that served the poor, shares premises with the London Jesus Centre that continues their work in a contemporary way.

Here’s a selection of artwork featured around the house, made by residents and friends:

The Father’s Love – spoken word & mime

“I hold a shield of condemnation and a sword of betrayal.
I travel on the train of trust that has finally been derailed.
I know the pain of loss as if it were my very veil and I accept my lot to never succeed but always fail.
This is my creed the motive of my being.
I never set my roots, I’m in constant fleeing cause I’m constantly seeing the destruction I cause.
A force to be reckoned with and yet I reckon it comes from deep within, some dark place drenched with sin.
I attempt to wrench the thing out and yet I start to understand what it’s about as it whispers sweet nothings in my ear.
Year after year I listen to this fear, this comforting security that’s appeared seems to drag my soul to depths unknown whether sitting on the bus or in an empty bath, fully clothed at home.

Alone.

With only my thoughts and voices bringing forth all my wrong choices, my mistakes.
If only I could forsake my past and take up a new path I would see this farce before it got too far but no, I do not.
I cannot relinquish this cold deathly kiss of the dark, inconsolable abyss, this clenched fist around my heart, this dark, dart of despair that has become my comfort and the defining feature in my conceptual lair.
A fair beauty in my eyes but others behold deception and lies.

Is it true that I’m blind?
Blinded by my own misery and shame, made lame by this self made rod of pain.
Why do I punish my inner being for being in or for seeing the truth?
For not being aloof but for making me see that my comfort is false.

For it’s the Holy Spirit in me that keeps my head focused, He exhibits the love needed to vanquish the locusts that have bred and multiplied leading me to believe my life is too defiled for God to accept any offering, other than sing and maybe dance.
And so I run from God.

But running from God just enhances the disasters plaguing my life.
I could choose to wallow in strife or run to God and receive love and life.

So I run to my Father, God, when I’ve had enough of my lies and selfishness, when I accept my mess is too big for me and I stop trying to dig myself free.
You see, that is how my disasters become dissolved.
Now I must resolve my heart to stay on things true, like love, joy and hope, even through the depression and self-hate I find the ability to demonstrate the elated spirit that comes from running to God.
Not forced but over-flowing, fully knowing God is there holding onto me.

He cares more than I dare to believe and it humbles me, how time and again He can be such a faithful Father and Friend.
When I lose sight He tells me “everything’s gonna be alright, every thing’s gonna be okay” cause that’s His way.
Day after day after day He is the Unchangeable, the Unmistakable Creator of Love, not sitting in the heavens above staring down but through His Son walks with us on this very ground.
Love abounds whenever He is near but don’t fear cause He’s always near when we’re here.
His Love is in us.
No matter our circumstance or situation He’s patiently waiting for us to realise He wants to show us His Love.
I have found nothing more accepting, nothing more directing, nothing more perforating than the Father’s Love.

And for that I am glad.

Hanging Banners Stage Design – Alive Festival 2013

 Hanging Banners Stage Design   Alive Festival 2013As winter was still upon us with freezing temperatures, snow, and polar bears, the venue for the “Alive Festival” was changed to the warm and cosy Northampton Jesus Centre. For many this could have been a disappointment, as the giant marquee we usually use adds a unique flavour to our large events. So between Tim Tecno and myself we decided to change the look of the Jesus Centre stage, and add some symmetrical hanging banners (3 either side of the main screen) which we then projected onto. The image above was taken during the song “Deliverer come set me free”.

 Hanging Banners Stage Design   Alive Festival 2013We also tried live video onto the banners, using a Blackmagic Intensity Pro card (HDMI in from the video mixer), and routing the feed through Resolume Arena, with some outline effects added.
 Hanging Banners Stage Design   Alive Festival 2013 Hanging Banners Stage Design   Alive Festival 2013We also created some footage to project before each event to set the scene, and to showcase one of the amazing aspects of our church – its people! Made by Aidan in Cinema 4D the clip below was projected so that each photo section lined up with a banner.

And in case people wandered into the venue not having a clue what was going on (which probably accounted for half the audience congregation) then this ident made by Gideon in After Effects helped:

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The festival was brilliant, and all the hard work by the lighting, rigging, PA, and video crews backed up the message and the Holy Spirit’s presence.
 Hanging Banners Stage Design   Alive Festival 2013Technical info:
2x Christie LX605 projectors
Drapes: 5 foot wide. 22, 16, 10 foot high
Resolume Arena software (with masking and keystoning on a 2160 x 1152 composition)
Blackmagic Intensity Pro card for HDMI in
Content created in After Effects CS6, Premiere Pro CS6, and Cinema 4D (R13)