This post continues our series on artwork featured in the Jesus Army New Creation Christian Community houses. These are contributions from artwork featured on the walls of Living Stones, an intentional Christian community house in Flore, Northamptonshire, UK.
This week Joy Jindu shows us her recently completed art exam piece and describes the research she undertook for the project.
For my art exam project, after much indecisiveness and much consideration I chose to explore the way in which the contrast between light and dark can create atmosphere.
The second definition of atmosphere according The Oxford Dictionary is:
“the pervading tone or mood of a place, situation, or creative work.”
The first being,
“The envelope of gases surrounding the earth or another planet”
I could have done a project on space and gases but the photography aspect may have been tricky however…I had a look at a number painters for inspiration, the ones that most influenced my final piece were Van Gogh, Turner and Afremov. Vincent Van Gogh’s Starry Night was the first that came to my mind when I decided on the topic “Atmosphere”. Interestingly enough in Physics whilst learning about space and stars other mind-boggling things of the Universe I came across the extraordinary “Star-trails” of photographer Lincoln Harrison; these incredible photographs are the result of 15 hour-long exposures. The end photos somewhat resemble the slightly obscure spiralling patterns in the night sky of Van Gogh’s painting.
Whilst researching the art form of Chiaroscuro (the use of strong contrast between light and dark in art) I looked at the work of Caravaggio whose work often explored and exploited the dichotomy of ‘highlights & shadows and how they complement each other. Whilst looking at the use of light in art it only seemed right to look at Turner, “The Painter of Light” himself.
The Final Piece
The picture that I chose to paint during the 10 hours I had for my exam was of a photograph that I had taken of a street light outside of Liberty London. The idea of having a street light was inspired by number of paintings by Leonid Afremov that include streetlights projecting light onto their surroundings. The canvas that I painted this on was A1 (so about 80x60cm). It was slightly ambitious to set out fill such a large canvas in only 10. Admittedly after the second day getting the all the bricks and window frames in line with the correct perspective, without them converging got slight tedious; Instead of painting all the lines in, I made the oil paint very turpsy and instead dripped the paint down when gave quite a nice effect where the paint appears to have eroded but left enough to show where the bricks and window panes are.
A diverse group of artists painted these paintings in Sheffield Jesus Centre‘s ‘Your Art’ group recently. This group of artists don’t work to any particular theme but show many views of life from city, to nature, to being late for work.
Over the past couple of weeks I have been in Zambia on a Multiply trip tasked with setting up social projects including English language teaching, internet connectivity, and computer facilities for a school. One of the first things that came to mind when it was suggested I’d go to Zambia was to get our artists to paint pictures that we’d give to the school, where they’d be displayed in the classrooms to inspire the children and give them a connection with us. In November last year I asked various people if they could paint something and I got an enthusiastic response. So the artists chose some photos and got stuck in to painting them. The paintings covered a wide range of subjects – from people through to landscapes. In fact one of the paintings was from a photo taken during a recently Multiply trip to Sierra Leone.It was quite a step of faith putting all the canvases in a suitcase and hoping (and praying) they’d all arrive in one piece. Especially as it was a couple of flights to Zambia which increases the chance of lost luggage. I was a relieved man when in the middle of a suitcase scrum at Ndola airport (no exaggeration) I spotted it, leapt in and rescued it. On the final day of the two weeks there I presented the artwork to school as a gift from our church back in England.
It was an amazing privilege giving these works of art to a grateful school. Thanks to Rob, Catriona, Katherine, Mark, Gail, Daniel (aged around 9 I think), Lil, and Joy for all your hard work. One of the other things that came to mind about going to Africa was knitting a blanket for a child. Not me knitting I hasten to add. I had just spent some time with Doris, a lady in her mid eighties who was knitting away whilst we chatted. So I asked her if she was up for doing something creative and make a blanket to take with me and “yes!” was the prompt reply.
One of the other personal touches was naming all the laptops in the I.T. classroom after my friends and also people who had supported the project by fundraising. In my church we are given “virtue” names that describe our character so I used these names.
I guess to sum up I can say the time in Zambia was very productive and the project work and filming went well. But there was also an opportunity for the personal touch that affects peoples lives too. It’s important to work through your own ideas and vision and make it happen just as much the official stuff that needs to be done. To end with here is a short glimpse of what we got up to in the two weeks in Zambia. Enjoy.
The I.T. training was in full swing, made slightly more interesting when new people arrived who also hadn’t used a computer, so I had to cater for these ones as well as those that now had a few days experience. I did manage to get to see a different view of the complex though thanks to a friendly engineer.
We returned late on Sunday evening after the coach broke down resulting in a 9 hour journey, and then after a Skype call home I started preparing for the final few days of I.T. project work and filming.